Essay on Doppelganger and King Kong English Speech

Introduction: â€Å"Good morning/afternoon class and *teacher*, today I will be speaking about how Michael Parker, the author of Doppelganger and Peter Jackson, the director of the film King Kong, accurately portray the main concept of the Beast Within through the symbolism of masks and the notions of betrayal and duplicity. I will be talking about Josh and Andrew from Doppelganger, Carl Denham and the people that he manipulated and affected through his deception, from King Kong and explain their contributions to the main idea of the Beast Within, how they wear a mask and how they portray the concepts of Duplicity and Betrayal.† Body Paragraph 1: (Doppelganger) â€Å"In Parker’s novel, Doppelganger, a key character, Josh, shows that he has a†¦show more content†¦The fact that Josh gave Andrew the QZ45 meant that there is now a whole new series of events that affect the storyline; Andrew ends up killing ‘boy’ because the QZ45 has a mental and physical effect, where the taker feels ‘ready to fight or kill’. In this case, boy makes Andrew angry, by slashing him with a knife during the chase in the tunnels, and Andrew goes on a crazy rampage and kills boy. Andrew soon becomes very guilty that he killed boy because he realises that in the normal Sydney ‘boy’ is a kid named Derek, who dies in a car crash, which makes Andrew logically believe that if one person is killed in the Dystopic Sydney, this same happening will reflect in a slightly different manner, in the normal Sydney. Josh also demonstrates the concept of the Beast Within through the plain evil of what he did to Andrew, the evil i ntentions of Josh were the reason why he did it, it wasn’t to save anyone’s life, like Andrew ends up doing later on in the text, but it was all part of Josh’s scheme to become the owner of the metsin factory so that he could become the richest and most famous person in the Dystopic Sydney, he was willing to kill many people to get his desire and he managed to get a whole gang of ‘hallboys’ to listen to him and do it. Body Paragraph 2: (King Kong): In the film, King Kong, Ann Darrow, a key character, is first seen as a nice girl who isShow MoreRelatedFigurative Language and the Canterbury Tales13472 Words   |  54 Pages †¢ The Lord sits above the water floods. The Lord remains a King forever. The Lord shall give strength to his people. The lord shall give his people the blessings of peace. -Ps. 29 †¢ â€Å"Let us march to the realization of the American dream. Let us march on segregated housing. Let us march on segregated schools. Let us march on poverty. Let us march on ballot boxes.... --Martin Luther King, Jr. †¢ Mad world ! Mad king! Mad composition ! 6. antagonist: the character or force opposing

Comparing Heart of Darkness and Apocalypse Now Essay Example For Students

Comparing Heart of Darkness and Apocalypse Now Essay As more and more books are made into movies, fans of the books often critique the film directors’ ability to keep their storyline along the same as that of the book. Francis Ford Coppola has a significant issue as he inherits the task of making a movie along the lines of Joseph Conrad’s novel Heart of Darkness. He does not have any real option to recreate the setting of imperial Europe invading African land, but fortunately for Coppola, the United States recently fought a war that is very comparable in the fighting tactics element. In his film Apocalypse Now, Coppola does a very good job keeping his plot similar to Heart of Darkness despite the difference in settings. Both plots of Heart of Darkness and Apocalypse Now have the same ultimate objective of sending men to go find the man whose name is Kurtz, an ex-military officer assumed to have gone AWOL and now living amongst the natives. The group of men travels downriver through hostile environments until they reach the post where Kurtz is supposedly living, and in both the film and the novel, they are pestered by the natives throughout the venture with everything from a fake arrow shower to attempt to scare them, to a real flurry of arrows and spears which fatally wounds one of the crew members. Also, Coppola keeps Kurtz’s character very similar to that of Conrad’s characterization in the novel. When the men finally reach him, they find him to be incredibly intellectual and sharp despite his old age. He is very in tune with his surroundings and understands his situation completely. Along with Kurtz’s personality, Coppola also does a good job depicting his death as it happened in the novel, including his final words, â€Å"The horror, the horror,† which is him talking about all of his encounters with the natives. Although Coppola makes an exceptional effort to create Apocalypse Now to be as similar as possible to Conrad’s Heart of Darkness, there are some differences that are just impossible to overcome. The biggest one of those is simply the setting. Coppola truly has no way of achieving a setting where he can depict the African Congo where imperial Europe is invading to take elephant tusks in order to sell ivory. Instead, he uses the United States’ recent war with Vietnam to recreate the story. Despite the different type of natives from Africa to Vietnam, the people of America likely assume the same kind of personality of the Vietnamese that the Europeans once thought of the Africans, that they are savage people. Another significant difference is the changing of the main character. Conrad’s character, Charles Marlow, is a lifelong sailor who has spent most of his life at sea traveling across different continents to perform trading. With no true sailor profession remaining by the 1970’s outside the navy, Coppola is forced to create a different character. He fabricates a veteran U. S. Army Captain named Benjamin Willard to head the ship through the rivers of Vietnam to retrieve Kurtz. The final major difference between Apocalypse Now and Heart of Darkness is the crew that rides aboard the ship. In the novel, a handful of white men head the ship and they are accompanied by a significantly larger number of savage cannibals; in the film, the crew consists of just a few men that are all military personnel. Many of his changes can be solely contributed to the change in setting and time period. Francis Ford Coppola is just about as faithful to Joseph Conrad’s novel as he can possibly be. .u1ea7bf1f3332d202b43fcf245db242bf , .u1ea7bf1f3332d202b43fcf245db242bf .postImageUrl , .u1ea7bf1f3332d202b43fcf245db242bf .centered-text-area { min-height: 80px; position: relative; } .u1ea7bf1f3332d202b43fcf245db242bf , .u1ea7bf1f3332d202b43fcf245db242bf:hover , .u1ea7bf1f3332d202b43fcf245db242bf:visited , .u1ea7bf1f3332d202b43fcf245db242bf:active { border:0!important; } .u1ea7bf1f3332d202b43fcf245db242bf .clearfix:after { content: ""; display: table; clear: both; } .u1ea7bf1f3332d202b43fcf245db242bf { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u1ea7bf1f3332d202b43fcf245db242bf:active , .u1ea7bf1f3332d202b43fcf245db242bf:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u1ea7bf1f3332d202b43fcf245db242bf .centered-text-area { width: 100%; position: relative ; } .u1ea7bf1f3332d202b43fcf245db242bf .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u1ea7bf1f3332d202b43fcf245db242bf .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u1ea7bf1f3332d202b43fcf245db242bf .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u1ea7bf1f3332d202b43fcf245db242bf:hover .ctaButton { background-color: #34495E!important; } .u1ea7bf1f3332d202b43fcf245db242bf .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u1ea7bf1f3332d202b43fcf245db242bf .u1ea7bf1f3332d202b43fcf245db242bf-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u1ea7bf1f3332d202b43fcf245db242bf:after { content: ""; display: block; clear: both; } READ: Blade Runner EssayThe characterization of the major roles in the film mirror that of the ones in Conrad’s novel. Coppola even does an outstanding job casting actors that fit the exact image of what you would assume them to look and act like from the book. Coppola’s Apocalypse Now parallels Conrad’s Heart of Darkness plot with the exception of a few minor additions in order to try to depict some of the happenings during the United States’ war in Vietnam. It is truly an incredible job by Coppola to recreate the story so well. Judging off of his work with Apocalypse Now, Francis Ford Coppola will be thought of as one of the movie directors able to take a novel and turn it into a motion picture without butchering the story. Coppola has many elements going against him, the generation and location primarily, yet in spite of those, he is able to recreate Conrad’s Heart of Darkness into an award winning American epic film that will be watched and remembered for an incredibly long time. Bibliography: Apocalypse Now. Dir. Francis Ford Coppola. Perf. Marlon Brando, Robert Duvall, Martin Sheen, Dennis Hopper, Laurence Fishburne, Sam Bottoms, Albert Hall, and Frederic Forrest. Paramount Pictures, 1979. Conrad, Joseph. Heart of Darkness. New York: Knopf, 1993. Print.